Miranda Lambert picks up highest CMA nominations

NEW YORK (Reuters) – Texas country singer Miranda Lambert picked up four further Country Music Association nominations on Wednesday, bringing her total to nine nominations, the highest ever for a female country artist.

Lambert will compete against her fiance Blake Shelton when the awards are handed out November 10 in Nashville, Tennessee and will be joined by Lady Antebellum, who scored a total of five nominations including for song of the year for their hit “Need You Now.”

The remaining five categories for the awards were announced Wednesday on ABC’S “Good Morning America,” including the top CMA award of Entertainer of the Year. The 27-year-old Lambert will compete against Lady A, Keith Urban, Brad Paisley and the Zac Brown Band for the esteemed prize that was won by Taylor Swift in 2009.

Finalists for the other seven categories were announced Tuesday for country music’s biggest night of the year that will again be hosted by Carrie Underwood and Paisley.
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HUNTSVILLE, Ala. – Antoine Dodson’s angry, head-shaking TV interview about an attempted rape against his younger sister in her bed has turned into a chart-topping iTunes song and YouTube hit and made the 24-year-old Alabama college student an Internet sensation.

“So y’all need to hide your kids, hide your wife and hide your husband, ’cause they raping everybody out here,” the song’s catchy refrain goes.

Dodson plans to use the money from the “Bed Intruder Song” selling for $1.29 a download and T-shirt sales to move his family out of the Lincoln Park housing project where they say the attack happened. But in an era when a viral video clip can rocket anyone to stardom, some suggest that Dodson and his family are being used and that his online rant plays to racial stereotypes.

To think so is to sell Dodson short. He said he is determined to be empowered, not exploited.

“Blessings come in disguise,” Dodson said. “This is a golden opportunity for us. I’m gonna take it and run with it.”

A typical day for Dodson now includes checking in on his thousands of Facebook fans, photo shoots, pondering a small movie role and juggling media interviews. And while he enjoys the limelight, he is still seeking justice for his sister and a better life for his family.

“We’re still struggling,” Dodson said. “We have a hit on iTunes, but we’re still in the projects.”

Two months ago, Dodson was a student at Virginia College in Huntsville, majoring in business management and hoping to one day own a hotel or a hair salon. He’d worked since he was 16 as a housekeeper and janitor.

He was thinking of moving back to Chicago, his hometown, to start a new life with his 22-year-old sister Kelly and her 2-year-old daughter.

That plan was interrupted one night in late July when Dodson heard a muffled scream from his sister’s bedroom. He said he burst in to find a man on top of Kelly Dodson, choking her.

He said he fought off the intruder, who escaped through the kitchen window. The next day, the family called the authorities and the media.

A local TV reporter asked a furious Dodson, “Is there anything you’d like to say to the camera?”

Emotions raw, Dodson let his words fly. The interview was immediately posted to YouTube.

“Well, obviously, we have a rapist in Lincoln Park. He’s climbing in your windows, he’s snatching your people up.”

Later to the attacker: “We’re lookin’ for you. We gonna find you. I’m lettin’ you know now.”

By the next day, the clip had a million hits.

Reactions were mixed. To many, it was a punchline forwarded to e-mail inboxes across the globe. Some were outraged that its popularity seemed to reinforce demeaning stereotypes of African-Americans. Still others saw someone standing up for himself and his community.

Blogger Danielle Belton, owner of the website The Black Snob, said she was initially put off because the attention on Dodson’s interview seemed to overshadow the crime at the root of the story.

“What I saw were two people who were very angry and frustrated because crime is so commonplace in poor communities,” Belton said. “People got stuck on the humorous aspect of it. What happened to Kelly got pushed to the background.”

Later, when she discovered the Dodsons were using the attention to help their family, Belton said she was impressed.

“So many people who have become Internet memes didn’t get anything out of it other than grief,” she said. “They’re spreading awareness, raising money … taking advantage of this moment.”
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Disturbed, “Asylum” (Reprise Records)

Disturbed is back with their fifth studio album, “Asylum,” and the band shows it is a metal band with a conscience.

The first single off Asylum is “Another Way to Die,” featuring front man David Drainman’s signature mix of hard, scratchy vocals and smooth melodic crooning reminiscent of Ed Kowalczyk of Live. But what makes the group sound distinct is its subject material.

“Another Way to Die” is about global warming with lyrics such as: “Glaciers melt as we pollute the sky/ a sign of devastation coming.”

On a second track, “Never Again,” Drainman goes to his Jewish roots and sings of the Holocaust: “Exterminated by the Nazi war machine/ we will remember/ let the story be told.”

But avid fans shouldn’t worry about their beloved nu-metal band getting too preachy on them. “Asylum” is still packed with songs like “Animal,” which brings to mind the current werewolf craze, and the album’s title track “Asylum,” which is about the mental torture of a breakup.
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LOS ANGELES (Billboard) – Sara Bareilles is a very nice woman who broke through to music’s mainstream by writing songs that sweetly and eloquently tell people precisely where they can go.

Don’t be fooled by the video to “King of Anything,” the lead single off her sophomore album for Epic, “Kaleidoscope Heart,” due September 7. In the clip, which has already attracted upward of 1 million views on Vevo, Bareilles, 31, is wandering through a park in a gauzy tutu and singing with a generous smile. But much like the monster success of “Love Song,” a track off her first Epic album, “Little Voice,” “King of Anything” is an anthem to sassy assertiveness dressed in a lilting singer-songwriter sheen.

“It was the last song I wrote before we went into the studio, and I was at the point where I started sharing the music with my inner circle and started getting feedback,” she says. “I remember having a very vivid realization of, ‘Oh, I forgot that this was a part of it. Everybody gets to tell you what they think about what you do.’ I could tell I was getting defensive. That song was a little bit of a pep-talk song — and that’s exactly what ‘Love Song’ was.”

“Love Song,” released in 2007, sold 3.2 million digital downloads, earned two Grammy Award nominations — one for song of the year and another for best female pop vocal performance — and bolstered sales of “Little Voice” to 985,000, according to Nielsen SoundScan.

Mainstream success came to Bareilles swiftly, and she’s the first to admit she was unprepared. “I was so precious about every choice,” she says. “I was so guarded, and I don’t know that I enjoyed it as much as I could have. There were times where I was so fearful and so anxious about the process: ‘Am I doing too much? Am I selling out? Do I look all right?’ All those things swirl around in your brain. What I’m here to do is play my music, and I want to be able to enjoy the process this time.”

THE LIVE EXPERIENCE

Bareilles was a fixture on the Los Angeles bar and club scene for years after she graduated from the University of California Los Angeles — the Fairfax area’s premier kosher Chinese restaurant, Genghis Cohen, was a frequent stop — and she’s still most invigorated by playing live. The Obamas are fans — Bareilles performed at both the G20 Summit and the White House Easter Egg Roll — and she was on the roster for six Lilith Fair shows this summer, an experience she treasures.

“That was so magical. I feel like I went to female songwriter school,” she says. “There was so much negative press about Lilith Fair, and it makes me a little angry. The essence was totally intact. The crowds were small in some of the markets, but we played huge shows of 10,000-15,000 people.”
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